http://www.jenwoolfe.com
Sunday, March 16, 2014
Monday, June 13, 2011
NEXT GIG: [ID] Fri Jun 17 @ Esthetic Evolution
Esthetic Evolution is a community based, participant-driven music and art festival centered around progressive thinking and self expression. The festival is located at the breathtaking Twin Springs Resort, nestled in the Central Idaho Mountains about an hour outside of Boise.
Esthetic features a weekend of live electronic music, performance art, speakers and workshops. We encourage attendees to contribute to the collective experience by any means of their imagination.
Our main premise is to provide a backdrop upon which participants can project their inner artist through a spirit of acceptance, collaboration, gifting, and love. Participants help us realize this vision more and more every year, with last year's (2010) participation soaring through the roof.
This year’s theme, “The Seven Chakras,” focuses on the connections between our bodies and the universe around us. Various Eastern traditions speak of Chakras as flower or wheel-like energy points running throughout the body. Each is represented by its own images and colors and corresponds to different actions, bodily functions and spiritual states. The most important and agreed-upon of these are the six Chakra points running down the spine and the seventh, Crown Chakra lying above the human head.
The Chakras draw in energy from the universe and bring balance to our spiritual, mental and physical beings. Healthy living, diet, meditation, dancing and exercise such as yoga help us balance our Chakras, feel more connected with collective consciousness and ultimately overcome attachment to our egos and corporeal forms. We are using this theme to create our music, art, stages and even event layout, and we will have many exciting announcements about this over the coming months. We hope you enjoy the theme and that it informs your intention and participation at Esthetic Evolution 2011.
For more information, please visit our website atwww.estheticevolution.com
ROOT STAGE
Paris, France – Techno / Tech House / Electro House
Definitive
www.oliviergiacomotto.com
Nominated as best electro producer for the Beatport Music Awards 2008, Olivier Giacomotto has managed no less than 8 Top Ten hit productions, a feat that has lead to him becoming one of the most in demand remixers/producers in the industry and firmly established him amongst the continent’s leading acts.
Having began his career working in recording studios back in the late 1990′s, Olivier learned the tools of his trade alongside various famous bands, producers, studio musicians and sound engineers.
Having released over 20 EP’s throughout 2004-2005, Olivier began to gain support & recognition from a host of major DJ’s & artists including the likes of Carl Cox, Misstress Barbara, Chris Liebing, Umek, Marco Bailey, Dave Angel and Green Velvet amongst many others.
The release of the “Jamon y Queso” EP in 2006 saw his career really take off, with instant creditation coming from worldwide dj’s such as the legendary Sven Vath and one of Olivier’s own longtime John Acquaviva… Indeed, it was Acquaviva himself who signed Olivier’s next release entitled “Walking on The Moog” to his own label : Definitive Recordings. a track that received international acclaim and went on to become Olivier’s first Beatport Top Ten hit!
This opened the floodgate for 2007 and 2008 and the Top Ten records came thick & fast. His reworking of the fantastic “Volta” by Robot Needs Oil, closely followed by his own incredible production “Gail in the O”. Olivier’s Top Ten hits have included his production “Wasabi on Top” and “Sushi in S Major” along with his remixes of both Hipp-E’s “Major Waves” and Mantra Vibe’s “Running From”, also the “Sofa King …Good” EP coproduced with John Acquaviva, and the “Eat What You Kill” Project with his other french partner dj Tonio.
Olivier’s success in the studio has seen his touring the world, demonstrating the overwhelming talent behind the decks that he has crafted over the last decade in some of the world’s most famous underground venues…. Privilege in Ibiza, Rex Club in Paris, Ministry of Sound in London, Heineken City Hall in Amsterdam, Zona in Moscow, X2 in Jakarta, La Bush in Belgium, Fabrik in Madrid, Lov-e in Sao Paulo, Turnmills in London, Summer Dance Festival in Colombia, Hrad in Slovakia, Dom Im Berg in Austria, Fusion in Germany. To name a few.
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Berlin, Germany – Deep Techno / Tech House
Trapez / Affin / Resopal Schallware / Anabatic Records
www.deepchild.com
If an increasingly demanding international schedule weren’t enough (try playing Germany and then Kuala Lumpur in the space of 4 days!), a continuing string of highly successful 12?s on labels and remixes have well and truly solidified deepchild’s reputation as a serious ‘contender’ in the saturated international dance-music community.
Detroit, Berlin, Tokyo, London, Vancouver, Prague, Cologne, Manchester, Leeds, Serbia, and more all feature in a yearly extensive dj/live touring schedule…
From ‘big-label’ original releases for labels like Trapez and Resopal Schallware, remix work for legendary producers New Order and Booka Shade (Get Physical), deeper cuts for Affin (German), and Kaato, and serious tech-weapons for BEEF, Om, and SanFrancisco’s Anabatic Records, a steady stream of bouncy, crunked-up tech-house sounds have insured deepchild has remained one of Australia’s most in-demand producers. Butch, Hipp-e, Robert Babicz, Tigerstripes, Jet Project, Worthy, Jimpster and Luomo (amongst others!) have all lent their remix credits to deepchild 12?s….
The journey has been a long and sonically expansive one. Recent dj support / chart from the likes of Loco Dice, Chris Liebing, Stacey Pullen, Thomas Schumacher, Troy Peirce (MINUS), Justin Martin (Dirtybird), Ivan Smagghe, Matthias Tanzman (Moon Harbour), and Abe Duque sits solidly against the proclamations of respected music journal, The Wire, who went as far as to proclaim that this sound was “as sexy and addictive as new-dub electronica gets”.
From tough, stripped-back techno to deep dub explorations, deepchild has proven a robust producer and highly respected dj and live-performer, and one of the few Australian-born producer/performers to have played the legendary Detroit Electronic Music Festival, as well both the much-coveted main-floor and Panoramabar levels of Berlin’s infamous techno-mecca, Berghain / Ostgut club on numerous occasions.
When Stereo-Heaven (the biggest dj store in Essen, Germany) found that their biggest selling tech-house record was infact written in a small share-house studio in Sydney’s Inner-West (deepchild’s “No Disgrace”, on Future Classic), they took the time to make special mention of what is indicative of deepchild’s head-turning appeal:
“over here in my hometown in Germany, we really love “no disgrace”!! it’s also by far the best selling record in our new local shop, too…from deep or tech house to minimal djs, hiphop and electronica fans – everybody is into that 3-tracker…really an amazing 12? you’ve created!”.
More recently, deepchild has produced #1-sellers for Anabatic Records and Cologne’s finest – Trapez…
Freerange Record’s ‘tech-house institution’, Milton Jackson, phrased is rather more succinctly, “Oh My God. I think you are my new hero”.
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San Francisco / Seattle – Progressive Electro / Progressive Psy
Shameless / T.O.U.C.H / Samadhi
www.jenwoolfe.com / www.simplyshameless.com /www.soundcloud.com/jenwoolfe
A Seattle to San Francisco transplant, Jen Woolfe has been making dance floors sticky across the West Coast for over 10 incredbile years. From Intimate Ambient to Elegant Electro House, New School Breaks & Chunky Techno, Jen’s sounds are deep, dirty and a little tongue-in-cheek. She’ll have you laughing in one moment and leave you seduced, sipping on your soul the next. Stay tuned till the end of her set, there’s always a story to tell.
Jen began her DJ career in 2001, after realizing her favorite spot on the dance floor was 2 feet away from the DJ booth, watching the hands of every Deep and Tech House DJ to visit her hometown of Seattle. Soon after she picked up Deep Dish’s Global Underground, she made the move to Progressive House, a genre that succumbs to her seductive style and intimate journeys. In 2005 she returned to her Alt-Rock roots by fusing dance, rock & new school breaks and tinting her style with elegant electro.
Jen’s versatility allows her to play any time of night at any venue, always served with style. Her desire to bring together diverse communities under one groove has helped her to be one of the most loved and devoted DJ’s on the West Coast. Jen has played at venues across the U.S., including San Francisco, Seattle, Portland, Las Vegas, Reno, Vancouver B.C., Salt Lake City, Boston, Boise, Idaho Falls, Colorado and Black Rock City. She is currently an affiliate of Shameless in San Francisco. Listen to mixes and read about her adventures at www.jenwoolfe.com, or subscribe to her entertaining antics on Twitter www.twitter.com/jenwoolfe.
Coral began her djing journey in 1999 when she was introduced to the irresistible sounds of psytrance. She came to the west coast from New York City where she was thoroughly immersed in the music scene, playing alongside amazing international and local talent. Now she is producing her own tracks and traveling all over the US to different parties and festivals. Coral is passionately involved in her sets, taking you places with pure energy and non stop driving beats!
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Eugene – Tech House / ProgressiveE
Activated Recordings / Get Physical
www.lukemandala.com
Luke’s fascination with cutting edge sound began in the underground electronic scene’s of San Francisco and Sacramento, California. Luke owned and teched a 20,000 watt Turbosound sound system from early 2005 until Summer 2008 for the North West United States electronic scene he fell deep in love with. He has organized bi-monthly dance events almost constantly since 2003 all around the North West of the United States and in other countries while traveling. With over 12 years experience mixing dance music live, organizing events, and running large sound systems, Luke experienced a large variety of dance floors. His favorite dance floors are those of the underground scene, however Luke’s style varies to activate many different crowds. Utilizing his unique sensitivity to emotional atmosphere and groove, Luke’s sets are a journey carefully guided through many moods and genres depending on the crowd yet focused to flow smoothly with harmonic compatibility, and the groove. His music has flown him around the world to various countries. He has played at small and large events just about every weekend since he started DJing back in 1998. In 2008, Luke decided to focus more energy towards music production and the global electronic scene.
Since 2008 there have been releases on many of the biggest labels releasing underground music such as Booka Shade / Get Physical Music, Definitive Recordings, Baroque Records, Manuel Music, Desert Trax, Future lovers from the Plusquam Records label group, as well as respected medium size labels such as Kindred Sounds Label Group, Activated Recordings, Alterimage Recordings, Lohit Records, Cubic Digital, Tarantic, Shiva, Slanted House, Telepathy Digital, Progress, Ambiosphere, etc. With consistent releases Luke is becoming known at an exceptionally fast rate. Luke’s unique style of production has gained plays and/or chartings from high profile DJ’s such as John Aquaviva, Nick Warren, Murray Richardson, Boris Brejcha, Treavor Moontribe, Michael Manahan, etc. Well known artists have remixed his tracks such as Kriece (Kindred Sounds Label Group), Tony Thomas (Cubic Records, Shiva Records, Telepathy), Jan Van Lier (Definitive, Teggno), Daniel Mehes (Barouque, Kindred), and the Z-Listers to name a few. The Z-Listers remix of Luke Mandala’s FIRST release (with Jan van Lier) “Sasquatch” reached 54 on the Beatport Charts. Luke produces and mixes music for Paul Hazendonk, who runs the massive Manuel Music record label which includes artists such as Umek, Eelke Kleijn, Jeff Bennett, Soliquid, Tigerskin, and Guy J. Luke’s remix of Booka Shade’s “Regenerate” was released on Booka Shade/ Get Physical Music and was featured on Anthony Pappa’s COVER MOUNT CD of DJ Magazines biggest issue to date!
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Seattle – Electro / Breaks / Tech House
USC Events / Digital Innovators
www.myspace.com/djkreeper
Joe McLean aka Kreeper has held down the breakbeat scene in his hometown of Seattle for the last seven years. His ADD like selection of music that ranges from dark, funky and progressive breaks, banging electro and speed garage is only overshadowed by the energetic stage presence that is his trademark. Having been blessed with the opportunity to warm up the decks for such legendary acts as Plump Djs, Uberzone, Krafty Kuts, The Bassbin Twins, The Freestylers, DJ Quest, Dj Icey, Dylan Rhymes, Steve Aoki, Infected Mushroom, Benny Benassi, Bad Boy Bill, Alex Peace, The Lawgiverz, Influenza, Reid Speed, Kraddy (of the glitch mob) and many more, Kreeper continues to evolve and push the envelope in any way possible.
In January of 2006, Kreeper was featured alongside artists like Hyper, Timo Maas, Adam Freeland, Hybrid, Plump Djs and many more by playing on Thumpfunk, the only breakbeat related show on XM Satellite Radio! Kreeper has rocked Portland, Spokane, Los Angeles, Vancouver BC, Boise and pretty much everywhere in between. A resident of the northwest largest production company, USC Events; Kreeper has become one of the most in demand breakbeat and electro djs in the pacific northwest. Get ready to rock out!
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Portland – Deep Techno / Tech House
Lower / Ping Pong Records
www.Merchants-Of.com /www.soundcloud.com/merchantsof /www.facebook.com/MerchantsOf.Bass
These two have been leaving crowds breathless for years; From sweaty basement parties, bass thumping main room venues, and outdoor festivals to their blend of ghetto gangster techno dance music that is drenched in filth and you’re never going to want to wash that hand again. No one is quite sure what exactly these MERCHANTS OF are selling, but one thing’s for sure- you’re going to want more.
Merchants Of (Quillan Rushton and Andrew Bitans) have played opening sets for and shared stages with the likes of Claude Von Stroke, Christian Martin, Miles Dyson, J Phlip, Worthy, Mark Farina, Ladytron, Simply Jeff & Egyptian Lover. During those same years, the musical tastes and mixing skills of these two prolific DJs has continued to evolve, getting deeper, funkier, and dirtier, and showing no signs of letting up. Keep your ear on these two as they continue to hone their production skills in the studio. With a release out on San Francisco’s Ping Pong Records and more to come, Merchants Of are guaranteed to bring the bass for your face and the bounce for that ass.
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Portland – psyKeedelick
ChickenHed
www.goaconstrictor.com
The Goa Constrictor – (ChickenHed) – While it may be hard to believe for some, The Goa Constrictor is quite the recluse. Only stepping out to twist dance floors and brains into a tizzy for a select few shows a year, The Goa Constrictor has been changing the face of psychedelic culture in the NW since the late 1990s. Whether being issued Cease and Desist orders from Infected Mushroom, getting death threats from angry punters, spinning 25-hour marathon sets in the forest or spewing subversive ideas on his internet radio show FABULOUS! Radio, The Goa Constrictor just loves children. Not one to be afraid of pushing boundaries, your brain, or the dance floor into new rhythms, The Goa Constrictor is sure to take you some place new this summer. To get a taste of what you might expect to hear at Esthetic Evolution this year, check out his website at:www.goaconstrictor.com
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Bend / Boise – Progressive Psy / Progressive House
People of Earth / pr0cess
www.estheticevolution.com
Individually Stormshadow and Duley have both been playing music for the masses since 1999. They reside in different states, but like any great reunion, their music is sure to be powerful upon impact. Having geeked out together on beats for over 11 years, be sure that these two dorks will give you what you want to hear…..and it will be PSYCHEDELIC & GROOVEY!
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Boise – Nu School Breaks / Funky Breaks / Progressive Breaks / House
Lucid Recordings
www.soundcloud.com/djballistik
Dj Ballistik started mixing records back in 2002, after being inspired by the locals and the famous producers at the time. He bought his first set of turntables that year and the rest was history. A staple of the Boise electronic scene since 2005, Ballistik has set his loyalties to the sound of Breakbeats and dabbles in Progressive Psy-Trance from time to time. Don’t miss out on this years set, it will be sure not to disappoint.
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Boise – Tech Funk
The Wonka Vision
www.djmyko.com
Growing up on the California coast Myko was right in the middle of the Electronic Music scene that was developing in the 90′s. Enchanted with the energy of the dance floor it was not long before he picked up the headphones. Myko relocated to Boise in early 2000. With over ten years on the decks Myko has shared lineups with renowned DJ’s such as Mike Balance, Jimmy Hoffa, Billy Wonka, DJ Brooklyn, DJ Jeremiah, and more. Playing a mixture of genres including, but never limited to Electro/Fidget/Bassline/Dub/Indie/Progressive/Breaks his live performance brings massive energy with an ear for beauty and addiction to bass.
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Boise – Breaks / House
SourceCode has been playing the Boise scene for almost 10 years now. He brings a fun-loving, laid back, goofy personality and a knack for great song selection. With a contagious energy, it is hard not to catch him with both hands in the air, dancing behind the decks and motivating the crowd to make some noise!
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Boise – Deep House
Treasured Grooves
Originally from the San Francisco Bay Area, Anthony has been calling Boise ID home since 2006. His passion for electronic dance music along with a unique feel for the drum combine behind the decks to make for a truly memorable experience.
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London, UK – Psydub
Autonomous Music / Moog
www.ottsonic.net
www.autonomousmusic.com
Ott was doomed to be a teenager in the cultural wasteland that was the mid-1980′s provincial England. After a brief period wandering aimlessly through the hairsprayed deserts of New Romanticism and poodle-rock he found refuge in the warm, inviting sounds of Scientist, King Tubby, LKJ, and Prince Far-I and the effortless grace of European experimentalists Neu! and Kraftwerk. Here he stayed until he felt it was safe to pop his head up again.
The end of the 1980′s brought with it a cultural and musical revolution and Ott headed to London to immerse himself in the new energy. Initially unimpressed by the frantic, unmusical clatterings of acid house and “rave” he discovered a new wave of artists who apparently shared his love of organic dub and pristine electronics. Artists such as The Orb, Dub Syndicate, FSOL and African Head Charge. These were people who were unafraid to combine bass-heavy rhythm, abstract soundscape and timeless melody into a huge, ever-shifting sonic universe which reflected perfectly the spirit of hope and positivity which prevailed.
It was at this point that Ott found his first work as an engineer in several studios around North London. Working obsessively, 18 hours a day, seven days a week for the next ten years, Ott began developing the skills which would see him go on to work with many of those who created the sounds which inspired him in the first place – Brian Eno, The Orb, Youth, African Head Charge, Steve Hillage, and On-U-Sound.
After spending the 1990′s freelancing around London as a studio engineer and producer, Ott celebrated the end of the 20th century and the beginning of the 21st by giving it all up and moving to a remote cottage in South West England to be alone with his cats and his studio. With a vague plan to create the perfect soundtrack to an outdoor English festival he embarked on a series of sonic experiments, drawing heavily on the classic dub sounds from Jamaica and hypnotic electronic pulse from Germany which had provided such a refuge during the 1980′s. A period of intense creativity followed, during which a great many tracks were created and then stashed away on tapes, seemingly never to see the light of day.
In the meantime, Ott hatched a plan to remix half a dozen or so classic Hallucinogen trance tracks and release them as dub mixes – slower, fatter and more chillout friendly. In 2002 the album “Hallucinogen in Dub” was released via Twisted Records to universal acclaim.
Buoyed by the success of “Hallucinogen in Dub”, the following year Ott gathered together and released his earlier sonic experiments as the album “Blumenkraft” which was also very well received and which attracted a great many listeners around the world.
The next few years passed in a whirl of gigs, remixes [Shpongle, Entheogenic, Tripswitch] and collaborative projects – “Umberloid” with friend and multi-instrumentalist Chris Barker, and “Gargoyles” with Simon Posford [Hallucinogen, Shpongle]. During this time Ott travelled the world, got married, welcomed his daughter Daisy to the world and wrote his third album “Skylon” – which was released on Twisted Records in early 2008.
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San Francisco – Psydub / Dubstep
Groove Style Entertainment
www.groovestyleent.com
Bird of Prey (www.myspace.com/birdofpreysf) is the project of San Francisco bay area native Torin Goodnight. Creating electronic music for a decade, he has developed a unique and very distinct sound that hybridizes various genres, fusing the swirling sensibilities of psychedelic sound with hard hitting dubstep and breakbeat elements. Combining aggressive basslines, twisted leads, and colorful atmospheres, he creates diverse and immersive soundscapes.
Bird of Prey has played live with a long list of artists, including: Beats Antiaue, Bluetech, Ott, Liquid Stranger, Welder, Knowa Knowone, Ruff Hauser, Stephen Jacobs and Antiserum. He has released on labels such as Addictech, Cyberset and Vaporvent and is currently working on his next EP for Addictech. He has been featured on Basstream Radio/Glitch FM, theuntz.com, the Lost in Bass Blog and the Gypsie Diaries Blog.
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Seattle – Breakfast Beats
Innerflight
www.innerflight.com
An integral part of the Innerflight record label and music collective, Manos exemplifies a fresh and funky groove that pulses with prismatic energy to stimulate the mind, open the heart, and move the body. His distinctly playful, trickster style is expressed in his namesake, taken from an evil deity in an obscure 1960s low-budget horror movie. But it’s not all cheap thrills with Manos…
Known for dosing Seattle dance floors with everything from acid-laden techno and house to reverie-inducing experimental and starry-eyed electronica, his musical adventures traverse divergent sonic terrains but nearly always venture into psychedelic territory. Legend has it that Manos’ kaleidoscopic style crystallizes during the enchanted wee hours of the morning, where his intuition and intention twinkle within his signature “breakfast-style” sets, providing a feast for the ears and flights of fantasy for the mind. At once sensuous and sentient, bizarre and macabre, his motley assortment of muses include the mid 90s Minneapolis EDM scene of his youth, industrial, punk, and hip-hop albums of the late 80s/early 90s, and his father’s record collection. Presently, this penchant for dissent and the transgressive has aligned with his bohemian spirit, awakening an enigmatic yet unmistakable artistic sensibility that resonates on multiple levels with dancers
and heads alike.
Whether rocking an all-night underground party at the break of dawn or sharing the bill with such diverse megawatt talents as: The Flashbulb, Three, Phil Western, Woody McBride, Noah Pred, Bassnectar, Freaky Chakra, or Luke Solomon, Manos consistently funks up the dance floor, shaking the booties and expanding the minds of the vibrant Northwest underground of which he is a passionate and deeply rooted element.
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Portland – Downtempo / Breaks
Really Good
www.nicewonger.com
Yes, that is his real name. Equipped with a versatile array of tunes, Nicewonger has rocked parties on three continents over the last 7 years. From the south coast of Portugal to the islands of Thailand, his focus has always been on arranging diverse sets that keep a crowd engaged. Settling back in Portland 2 years ago, Adam has concentrated his efforts on making an impression in the Pacific Northwest scene that sparked his love for electronic music. Check out his recent downtempo mix at www.nicewonger.com.
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Seattle – midbreakcrunklovestep
Innerflight / Shameless / People of Earth
www.innerflight.com /www.simplyshameless.com /www.djdevinkelly.com
Innerflight resident Kadeejah Streets has a monopoly on the booty shakin’ beats in Seattle’s clubs. His sets are the ones you hear at the club while talking with friends, and after every three songs find yourself asking “who is this DJ?” Moments later you’re joining the masses on the dance floor in a beat-inspired bonanza. A perfect mix of nü-rave bangers and old-school jams, Kadeejah’s sets are glorious testaments to the persuasive power of a DJ’s mood. With dexterous hands, this musical master turns the underground upside down and shakes it like a Magic 8-Ball, ensuring that you will howl at the moon with your eyes rolled back in your head.
Seattle-based DJ, producer and promoter Devin Kelly has been a techno activist for over a decade. Whether DJing as Adlib or promoting with Shameless and People of Earth (P.O.E), he is constantly sharing a radical vision of good times, heady tunes and dancefloor debauchery with everyone he meets. His versatility, technical skills and mixture of cerebral yet crowd-rocking cuts has earned him local bookings alongside artists as diverse as James Holden, the Flashbulb, Kilowatts, Egyptian Lover, Dylan Rhymes and countless others. He has become an underground fixture over recent years and regularly headlines clubs, renegade parties and outdoor festivals across the Western US. But he is perhaps most well-known as co-creator of Idaho’s Esthetic Evolution, the weekend of forward-thinking music, intentional community and ridiculously good times that has become the Summer right of passage for innumerable West Coast heads. He will be performing with Innerflight’s Kadeejah Streets at this year’s Esthetic as “Kadeej-Vo!” With their powers combined, they will play stupidly awesome midtempo breaks, IDM, dubstep, leftfield and general ephemera.
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Seattle – Dub
Shameless
www.simplyshameless.com /www.soundcloud.com/joebellingham
Joe Bellingham used to play bass in a few bands. When that got boring he set out hoping to find some music he could do solo. He was an alright bass player but he couldn’t play piano… was never really good at the guitar. His friends were open about how much he sucked at the drums taking the sticks away constantly. He has since found Ableton Live and been working that shit like oh baby. Word.
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Seattle – Downtempo / IDM
Audible Bicycle Day / Oracle
www.facebook.com/pages/audiblebicycleday
Nelias intention is to project positive energy, love,and happiness to the community through music!! She brings the femimine and masculine together with a fusion of downtempo,idm, dub, tribal, and gypsy music!
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Las Vegas – Eclectic Electronica
People of Earth / Audible Bicycle Day / Kids for Tomorrow
www.facebook.com/pages/audiblebicycleday
[No Biographical Information At This Time]
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Bacchus has rocked many socks at Esthetic Evolution::::::. His sets frolic smoothly across a whole bunch o’ genres, from downtempo and glitch-hop to techno and psytrance and ghetto tech, with a little breakcore and kittenstep thrown in for good measure! You never know what you’ll hear from this guy (or when he’ll lose his pants), so tell your feet and ears to bring their A-game!
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Boise – Ambient / Downtempo
pr0cess
I, Beji, live in Boise, Idaho, and I create music when the universe is so inclined. Each soundbyte carries a life that is defined by its relationship to the entire environment of sound. Listen to your body. This music will reach past your ears and your brain. Let your entire vessel be filled. See you in the mountains. Cheers.
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Boise – Drum N Bass / Dubstep
Mythic Management Group / Sinister Dream Krew
Dan Kaye has been performing for 5 years, after my first small house party I stumbled upon I was hooked instantly and shortly after got a pair of turntables and have been trying for perfection ever since. I have been hooked on DNB but have been dabbling with dubstep for the past 2 years. I put together sets that progress from dubstep into dnb and even some glitch-hop and drumstep, I am a high energy performer always trying to please the crowd with my high-energy and bass driven sound but have also been known to slow it down to hit the deep and melodic side of my genres of music.
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Boise – Liquid Drum N Bass
www.facebook.com/profile.php?id=100000553437199
Brian Topping aka Aggression has been in the mix since 2000. In the time he has balanced off a variety of styles, currently holding productions of his own and making a push to satisfy dance floors at every event he plays for. From Psy Trance, Progressive Techno, Dub step and his own twist on Psy Breaks, he will continue to push the envelope on music.
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Boise – Deep Tribal Soul
Audiomedics
www.facebook.com/audiomedics
Pedro Rolas. A Ventura, California Native and child of the ’80s started spinning at b-boy summits at the age of 15 and soon progressed on to private parties and outdoor music festivals. Pedro founded Audiomedics in 2006 & since then has been a constant force in the recent explosion of Boise’s EDM scene. Weaving a DEEP tribal mix of soulful electronica, nu-jazz and world beats.
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